{"id":22,"date":"2016-10-03T10:02:50","date_gmt":"2016-10-03T10:02:50","guid":{"rendered":"http:\/\/joachimkrebs.de\/?page_id=22"},"modified":"2016-11-06T19:58:45","modified_gmt":"2016-11-06T19:58:45","slug":"works","status":"publish","type":"page","link":"http:\/\/joachimkrebs.de\/?page_id=22&lang=en","title":{"rendered":"Works"},"content":{"rendered":"

WORKS by the Studio <SA\/JO> Sabine Sch\u00e4fer\/Joachim Krebs <\/strong><\/a><\/p>\n

SOLO-WORKS by Joachim Krebs<\/strong><\/p>\n

Artificial Soundscape No. 4<\/a> (1998\/99) <\/span><\/strong>Electroacoustic sound composition
\nFirst broadcast in 2001 by DeutschlandRadio Berlin (DLR)<\/p>\n

AquaAngelusVox (1997)<\/span><\/strong> A sound mandala on Hildegard von Bingen
\nStereophonic CD production<\/p>\n

Artificial Soundscape No. 3<\/a> (1996\/97)<\/span><\/strong> Electroacoustic sound composition. First broadcast in 1997 by Hessischer Rundfunk (HR 2). First performance of the 8-channel version as a Space-soundInstallation with 8-limbed loudspeaker ensemble: Audio Art Festival Warsaw (P), 1999<\/p>\n

Artificial Soundscape No. 2<\/a> (1996)<\/span><\/strong> Electroacoustic sound composition<\/p>\n

First broadcast in 1997<\/strong> by Saarl\u00e4ndischer Rundfunk (SR 2),
\nFirst performance of the Space-soundInstallation: 1997 Akademie Bad Rotenfels<\/p>\n

Artificial Soundscape No. 1<\/a> (1995) <\/span><\/strong>Electroacoustic sound composition, Commission by the Sender Freies Berlin (SFB)
\nFirst broadcast in 1995 by Sender Freies Berlin (SFB 3)
\nFirst performance of the 11-channel version for the Space-soundObject \u201cH\u00f6rbild<\/a>\u201d:
\nSFB Sound Gallery Berlin, 1995<\/p>\n

Artificial Soundscapes<\/a> (1995-99)<\/span><\/strong> Development of a set of projects comprising electroacoustic sound compositions<\/p>\n

Tableau I – III (1995)<\/span><\/strong> 11-channel Space-soundComposition for the 11-limbed Space-soundObject \u201eH\u00f6rbild<\/a>\u201c co-production with Sabine Sch\u00e4fer
\nCommission by the Siemens Arts Program Munich
\nFirst performance 1995 Berlin Festival Weeks (D)<\/p>\n

Klangtunnel (1995)<\/span> <\/strong>3-dimensional sound environment for a 12-limbed loudspeaker configuration. Commission by the KlangArten Vienna
\nFirst performance 1995 Das Innere Ohr – Festival of Contemporary Music Performance Linz (A)<\/p>\n

Seven Plateaus between Earth and Sky (1995)<\/span><\/strong> for trombone and harp, ca. 14\u00b4<\/p>\n

eye-light-painting (1994)<\/span><\/strong> Electroacoustic sound composition for a multi-media-performance (same title) by Sibylle Wagner
\nFirst performance 1994 Media art festival „projections“ Karlsruhe<\/p>\n

Alien Lines and Fields (1993) <\/span><\/strong>for bass clarinet, violoncello und piano, ca. 19\u00b4<\/p>\n

String Quartet No. 3 (1992)<\/span><\/strong> ca. 18\u00b430\u00b4\u00b4<\/p>\n

Doubles and Echoes (1991)<\/span><\/strong> for 11 instrumentalists and tape 2 fl (also: 2 picc + 2 treble rec) – 2 cl (also: bcl)- 2 tr – perc(1) – v – va – vc – cemb, ca. 21\u00b4
\nFirst performance 1993 Stuttgart<\/p>\n

Rhizom II<\/a> (1991)<\/span><\/strong> Version II for percussion and tape, ca. 26\u00b4
\nFirst performance 1991 Freiburg<\/p>\n

Zwischenzonen – Zeichen – Szenen – Zust\u00e4nde (1990\/91)<\/span><\/strong> for two dancers, video, speaker, singer, clarinet duo, violoncello duo and sample sounds, ca. 36\u00b430\u00b4\u00b4
\nFirst performance 1991 „Multimediale 2“ media art festival
\nby the Center for Art and Media Technology (ZKM) Karlsruhe<\/p>\n

„…Rufer – auf Plateau…“ (1990)<\/span><\/strong> for clarinet, bassett horn and bass clarinet, ca. 14\u00b430\u00b4\u00b4
\nFirst performance 1990 Mannheim<\/p>\n

All instrumental works from the period 1989 – 1978 have been published by Peermusic Hamburg \/ New York:<\/a><\/strong><\/p>\n

Offene Ringe<\/a> <\/strong>\u2013 Sound sculpture for orchestra (1989)<\/span><\/strong> picc 2.3.3.2., contra bs – 4.3.3.1 \u2013 timp perc(3) – str, ca. 21\u00b430\u00b4\u00b4
\nFirst performance 1991 Stuttgart <\/span><\/p>\n

Coro dei Discepoli dal „Faust“ di Goethe (1989)<\/strong> per coro e orchestra
\n2.2.2.bass cl .2 – 2.2.2 – timp – str – 4-part, mixed choir (S-A-T-B), ca. 11\u00b4
\n<\/span>First performance 1989 Rome<\/p>\n

„(und langsam schnitt ich mir meine Zeit aus Stille zusammen)“
\n<\/span>Sketches on texts by R. D. Brinkmann (1989)
\n<\/strong>for 2 speakers and 13 instrumentalists Speakers(2)- fl\/picc – cl\/bcl – contra bs 2 hr – 2 trbn – perc(2) \u2013 v – va – vc \u2013 cemb, ca. 35’30“
\n
\nQuartett (1989) <\/strong><\/span>for flute\/piccolo flute, violin, clarinet\/bass-clarinet and violoncello, ca. 21\u2019
\nFirst performance 1989 Delmenhorst<\/p>\n

Narrncartan mit Peripetie oder ein ganz gew\u00f6hnlicher Tag im Leben des grossen Gurglers <\/span>multi media project (1988)<\/strong> for speaker, rock band and live video performance, ca. 45′
\n<\/span>First performance 1988 International Summer Courses for New Music, Darmstadt<\/p>\n

Electronic Mandala – music-image-dance project (1988) <\/span><\/strong>for one dancer, video and synthesizer\/sampler ca. 60\u00b4
\nFirst performance 1988 Karlsruhe<\/p>\n

Brass Quintet No. 1 (1988) <\/span><\/strong>for 2 trumpets, horn and 2 trombones, ca. 21′
\nCello Lines \u2013 Music for Violoncello Solo (1987) <\/span>ca. 15′
\nFirst performance 1988 Berlin<\/p>\n

Duo (1987) <\/span><\/strong>for violoncello and accordion ca. 17\u2019
\nFirst performance 1987 Saarbr\u00fccken<\/p>\n

Electronic Loops (1987)<\/strong> Electroacoustic sound composition<\/span><\/p>\n

Music for Accordion (1986) <\/span><\/strong>ca. 12’30“
\nFirst performance 1986 Trossingen<\/p>\n

Duo (1986) <\/span><\/strong>for two pianos, ca. 11′
\nFirst performance 1987 Heidelberg<\/p>\n

Zwischenzonen \u2013 Electronical Sketches (1985)<\/strong> Electroacoustic sound composition<\/span><\/p>\n

Slow-Mobile \u2013 for 15 instrumentalists (1985) <\/span><\/strong>fI\/picc – ehr\/ob – cl – bcl – 2 hr – bs – contra bs – hrp – perc(2) – v – va – vc – cemb, ca. 21\u00b4First performance 1985 Karlsruhe<\/p>\n

„……zusammenflie\u00dfend singen wir die Gegenwart……“ (1985) <\/span><\/strong>music for 2 clarinettists
\nca. 17′
\nFirst performance 1985 Nuova Consonanza Rome<\/p>\n

Music for Solo Double Bass and 8 Instrumentalists (1985)
\n<\/strong><\/span>solo cemb – fl\/picc – cl\/bcl – bs\/contra bs – hr – perc(1) – v – va – vc, ca. 20′
\nFirst performance 1986 International Summer Courses for New Music, Darmstadt<\/p>\n

String trio Nr. 1 (1984) <\/span><\/strong>ca. 19′
\nFirst performance 1984 Angers, France<\/p>\n

Duo (1984)<\/strong> <\/span>for percussion and piano, ca. 21′
\nFirst performance 1984 Stuttgart<\/p>\n

String Quintet Nr. 1 (1983) <\/span><\/strong>2 v – va – 2 vc, ca. 21′<\/p>\n

Rhizom III (1983)<\/strong> for 3 identical instruments ad libitum ca. 12′
\n<\/span>First performance 1983 Karlsruhe<\/p>\n

„In Gedanken an den sterbenden Wald“ (1983) <\/span><\/strong>2nd orchestra piece of the cycle \u201eBrennend erstarrte Augenblicke – Triptychon Epitaph f\u00fcr Orchester\u201c (1980-83), 3.3.3.3 – 4.3.3.1 – timp . perc(2) – p\/cel.hrp – str, ca. 4′<\/p>\n

Klangsplitter (1982) <\/span><\/strong>music for 4 solo violas, ca. 12’30“
\nFirst performance 1982 Stuttgart<\/p>\n

Rhizom II (1982)<\/span><\/strong>
\nversion I: six percussionists
\nversion II: percussion and tape (1991)
\nca. 26′
\nFirst performance version I 1985 Mannheim (1st part)
\nFirst performance version II 1991 Freiburg<\/p>\n

„…in memoriam Rainer Werner Fassbinder…“ (1982)
\n<\/span><\/strong>3rd orchestra piece of the cycle \u201cBrennend erstarrte Augenblicke – Triptychon Epitaph f\u00fcr Orchester\u201d (1980-83), 3.3.3.3 – 4.3.3.1 – timp . perc(2) – p\/cel.hrp – str, ca. 10’00“<\/p>\n

Traumkraut (1981) <\/span><\/strong>for alto, baritone and 15 instrumentalists on texts by Ivan Goll
\nfl\/picc – ob – ehr – cl\/bcl – bs – contra bs – 2 hr – perc(2) – 2 v – 2 vc, ca. 23′
\nFirst performance 1983 Donaueschingen Festival of New Music<\/p>\n

Rhizom I (1981)
\n<\/strong><\/span>Version I: bass clarinet and tape
\nVersion II: 9 bass clarinets
\n14′
\nFirst performance version I 1983 Melbourne
\nFirst performance version II 1982 Amsterdam<\/p>\n

Wind quintet No. 1 (1980) <\/span><\/strong>ca. 16′
\nFirst performance 1997 Karlsruhe<\/p>\n

„…in memoriam Rudi Dutschke…“ (1980) <\/span><\/strong>1st orchestra piece of the cycle \u201cBrennend erstarrte Augenblicke – Triptychon Epitaph f\u00fcr Orchester\u201d (1980-83), 3.3.3.3 – 4.3.3.1 – timp . perc- hrp-str, ca. 11′
\nFirst performance 1980 Hilchenbach
\nMusic for Small Orchestra (1979) <\/span>1.1.1.1 – 1.1.1.0 – timp . perc(2) – p\/cel – str, ca. 25′
\nFirst performance 1981 Cologne<\/p>\n

String quartet No 2 – Quartettomanie<\/a> (1979) <\/span><\/strong>ca. 26′
\nFirst performance 1982 Munich<\/p>\n

„…tief Unten – traumversunken…“ (1979) <\/span><\/strong>soliloquy for bass clarinet and string quartet
\nca. 19′
\nFirst performance 1980 Amsterdam<\/p>\n

Streichquartett Nr. 1 (1978) <\/span><\/strong>ca. 24′
\nFirst performance 1980 Freiburg<\/p>\n

Projects in collaboration with the rock theatre band Checkpoint Charlie and Electroacoustic Music from 1978 to 1968 (selection):<\/span><\/strong><\/p>\n

Ein Tagebuch – Musik f\u00fcr Synthesizer (1978)<\/span><\/strong><\/p>\n

Fr\u00fchling der Kr\u00fcppel (1978) <\/span><\/strong>with the rock theatre band Checkpoint Charlie
\nLP (Schneeball Records 1978)<\/p>\n

Blutsturz – Rockrevue (1977\/78) <\/span><\/strong>with the rock theatre band Checkpoint Charlie<\/p>\n

Traum (1977) <\/span><\/strong>for actor and tape<\/p>\n

Electronical Music No 2 (1976)<\/strong><\/p>\n

Erkl\u00e4rung einiger Dinge (1977\/78) <\/span><\/strong>for synthesizer, alto and speaker, text by P. Neruda<\/p>\n

K\u00f6rperreaktionen \u2013 Electronical Music No 1 (1973)<\/span><\/strong><\/p>\n

Notwehr \u2013 Rock Opera (1972) <\/span><\/strong>with the rock theatre band Checkpoint Charlie<\/p>\n

Scheisse \u2013 Rock Operetta (1971) <\/span><\/strong>with the rock theatre band Checkpoint Charlie<\/p>\n

Gr\u00fcss Gott mit hellem Klang (1970) <\/span><\/strong>with the rock theatre band Checkpoint Charlie<\/p>\n

LP (Schneeball Records 1970)<\/strong><\/p>\n

Musiken und Lieder (1968-78) <\/span><\/strong>for speaker and rock band on different texts by, e.g.,. Kupferberg, Ginsberg, Bukowski, Neruda, Borchert, Brinkmann a.o.<\/p>\n

^<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

WORKS by the Studio <SA\/JO> Sabine Sch\u00e4fer\/Joachim Krebs SOLO-WORKS by Joachim Krebs Artificial Soundscape No. 4 (1998\/99) Electroacoustic sound composition First broadcast in 2001 by DeutschlandRadio Berlin (DLR) AquaAngelusVox (1997) A sound mandala on Hildegard von Bingen Stereophonic CD production Artificial Soundscape No. 3 (1996\/97) Electroacoustic sound composition. First broadcast in 1997 by Hessischer Rundfunk read more <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-22","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/joachimkrebs.de\/index.php?rest_route=\/wp\/v2\/pages\/22","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/joachimkrebs.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/joachimkrebs.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/joachimkrebs.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/joachimkrebs.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22"}],"version-history":[{"count":9,"href":"http:\/\/joachimkrebs.de\/index.php?rest_route=\/wp\/v2\/pages\/22\/revisions"}],"predecessor-version":[{"id":105,"href":"http:\/\/joachimkrebs.de\/index.php?rest_route=\/wp\/v2\/pages\/22\/revisions\/105"}],"wp:attachment":[{"href":"http:\/\/joachimkrebs.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}